Arthurian and Grail Poetry Essay

In 1871, Swinburne produced a new collection of rimes which he entitled Songs Before Sunrise, which echoed a whole generations sentiments about Italys struggle for freedom. The poets stellar piece, Hertha, was yet another offering to the pagan altar upon which he worshipped. Hertha, the goddess of fertility, is written as the speaker of a dramatic monologue that aims to adduce her superiority and immortality over the Christian God, a tactic Swinburne used to conk out the attention of the victorian audience.He emphasizes, through Hertha, the significance and importance of suffer Nature over God, and provides line after line of physical representations of a mother that gives life and nourishment to her offspring, compared to a God who, in Swinburnes logic, false and provisional. Also, by centering on the body of Hertha, Swinburne waistband dependable to his established tradition of sensuality and passion. He ends the poem with Hertha saying I am humancompleting the ultimate pag an principle of mans harmony and unity with nature. Swinburnes most celebrated work, among his legendary pieces, is 1882s Tristram of Lyonesse.A veritable triumph in the adept sense, the poem was skillfully written to feature long romantic couplets punctuated with a vivid arrangement of vowel sounds, rhythm, and alliteration. Swinburne exposes his concept of passion masterfully in this tale of lovers who care for nothing else but their love, and would go to any length to oblige the fire burning. Often referred to as Swinburnes ode to the English dramatists, Tristram is, to this day, the most exemplary rendition of the English couplet. IV. Other Literary AccomplishmentsAs much as Swinburne was known as an exceptional poet was his reputation as an excellent critic. From 1868, he managed to produce a number of volumes of literary criticism, with the best contained in Miscellanies and Essays and Studies. In this series, the genius and poetics of Swinburne are satisfyingly revealed and explored. He also published A Study of Shakespeare, in which he expressed his own great practiced competencies and proficiencies in the areas of music and rhythm in poetry, by praising the iconic master of story, song, and technical excellence.It is quite apparent that Swinburne had intentionally limited his paganistic and atheist principles to his poetrythe literary criticism that bears his name well-nigh always stays firmly on the positive side, with nary a mention of technical or thematic shortcomings of the authors he discusses. With Swinburnes passing in 1909, the Victorian society of England lost one of its greatest masters in actors line poetry, whose genius and brilliance were quite overflowing that he found it inevitable to go against the tide, and stand by the least sure constructs of society. V. ConclusionThe promontory regarding Swinburnes religious influences in his poetry has been clearly answered, and has validated the first logic proposed. There are indee d references to Christianity and traditional beliefs in almost all his poetry, which he strategically decided to use to disprove numerous of the paradigms established by the Church. With his declared propensity to explore the ideals of physical distract and pleasure, sexual passion, and excessive living, through a great deal of wit, sarcasm, and morbidity, the yarn audience is left shocked and astonished way beyond their accepted levels.However, it takes one as talented as Swinburne to effectively realize the human relationship between two opposing polesChristianity and immoralityand use the commonalities to create an ideology that is all at once controversial and unacceptable, but also unlikely and brilliant.BibliographyApiryon, T. Algernon Charles Swinburne, The Hermetic Library, 1995, retrieved 12 July 2008 from http//www. hermetic. com/sabazius/swinburne. htm Bartleby, The Rossettis, William Morries, Swinburne, and Others. Bartleby. com, retrieved on 12 July 2008 from http/ /www. bartleby. com/223/0508.html Cymru, Gordd. Arthurian and grail poesy, Celtic Twilight, 2000, retireved 12 July 2008 from http//celtic-twilight. com/camelot/poetry/swinburne/index. htm Representative Poetry Online, Selected Poetry of Algernon Charles Swinburne (1837- 1909), retrieved on 12 July 2008 from http//rpo. library. utoronto. ca/poet/319. html Sawhney, Paramvir, Gestalt Paganism in AC Swinburnes Hertha The Victorian Web, 2006, retrieved on 12 July 2008 from http//victorianweb. org/authors/swinburne/sawhney9. html Thomas, Edward, A new(a) Bacchant, The New York Times, 29 December 1912.